The information presented in the paragraph and the bar chart informs of the number of visitors in millions for three museums per year from 2000 to 2005. Overall, all the museum’s visitor numbers fluctuated except the figures of The National Museum in China were gradually increasing year on year. Turing to the details, The Edo- Tokyo recorded the highest number of visitors in 2000 and 2001, more than thirteen million. After that, the figures decreased about four million in 2002, while it reached the low point, just above six million visitors in 2003. From 2004 to 2005, the museum opened its door for ten and twelve million person respectively. However, there was a significant reduction of about 50% in the number of visitors to The MET exhibition in 2001 and 2002, after it was recorded as the second most popular, twelve million visitors. Moreover, the museum had been visited in 2004 by more than 14 million people, and the numbers raised around two million in the following year. In contrast, The National museum in China, which had the lowest number of visitors in 2000, had a dramatic shoot up in the number of people who visited the museum in 2005, sixteen million person, after it had been steady for two years, 2003 and 2004, at eleven million person per year. In conclusion, despite the visitor numbers in 2002 were less than ten million people in the three museums, The National museum in China managed to increase ticket sales annually to achieve sixteen million visitors in 2005.
It appears that China had set a strategic plan and frequent improvements to The National museum every year which played a crucial role in attraction of visitors, and the figures might increasing in the following years, while The MET and Edo-Tokyo visitors may keep fluctuating if the US and Japan not give the museums the priorities.
The information presented in the paragraph and the bar chart informs of the
number
of
visitors
in
millions
for three
museums
per
year
from 2000 to 2005.
Overall
, all the
museum’s
visitor
numbers
fluctuated except the figures of The
National
Museum
in China were
gradually
increasing
year
on
year
. Turing to the
details
, The
Edo
- Tokyo recorded the highest
number
of
visitors
in 2000 and 2001, more than thirteen
million
. After that, the figures decreased about four
million
in 2002, while it reached the low point,
just
above six
million
visitors
in 2003. From 2004 to 2005, the
museum
opened its door for ten and twelve
million
person
respectively
.
However
, there was a significant reduction of about 50% in the
number
of
visitors
to The MET exhibition in 2001 and 2002, after it
was recorded
as the second most popular, twelve
million
visitors
.
Moreover
, the
museum
had
been visited
in 2004 by more than 14
million
people
, and the
numbers
raised around two
million
in the following
year
.
In contrast
, The
National
museum
in China, which had the lowest
number
of
visitors
in 2000, had a dramatic shoot up in the
number
of
people
who visited the
museum
in 2005, sixteen
million
person
, after it had been steady for two years, 2003 and 2004, at eleven
million
person
per
year
.
In conclusion
, despite the
visitor
numbers
in 2002 were less than ten
million
people
in the three
museums
, The
National
museum
in China managed to increase ticket sales
annually
to achieve sixteen
million
visitors
in 2005.
It appears that China had set a strategic plan and frequent improvements to The
National
museum
every
year
which played a crucial role in attraction of
visitors
, and the figures might increasing in the following years, while The MET and
Edo-Tokyo
visitors
may
keep
fluctuating if the US and Japan not give the
museums
the priorities.