The reading and the lecture are both about " comics" and their origin. The author of the passage states that comics are a uniuely American art form. The lecturer challanges the claims made by the author. He is of the opinion that comics doesn't solely belong to American art.
To begin with, the author argues that Hogan's Alley was the first commercially successful comic strip in 1890s. The article mentions that Hogan's Alley and it's characters marked the commencement of comics and was American in each and every aspect. This specific argument is challanged by the lecturer. He claims that there were many popular comic strips which were made especially in Britaina and Swizerland of Europe even before Hogan's Alley in early 1790s. Additionally, he says that the charecters of Hogan's Alley and also it's publishers were immigrants from Europe.
Secondly, the writer suggests that the first popular Action comic book was from America. In the article it is said that the Action Comic Series featuring Superman, the world's first superhero was also created in America in 1938. However, the lecturer rebuts this by mentioning that 16 years before the Superman series was released, there was a well-known action comic book called Adventures of Tinton released in 1932. He elaborated on this by bringing up the point that artist of the Superman was from Canada but not America.
Finally, the author posits American comics have inspired many japanese and European art forms. Moreover, in the article it is stated that American Disney characters are more popular in Europe than ever. In contrast, the lecturer's position is that Japanese Manga and Europe's Smurfs and Asterix were of indigenous origin but not American-inspired. He notes that European disney characters are created by Europeans.
In conclusion, although the reading and lecture are both about origin of comic strips and chatacters, the points made in the reading are effectively challanged by the lecture.
The reading and the lecture are both about
"
;
comics"
; and their origin. The
author
of the passage states that
comics
are
a
uniuely
American art form.
The
lecturer
challanges
the claims made by the
author
. He is of the opinion that
comics
doesn't
solely
belong to American art.
To
begin
with, the
author
argues that
Hogan's
Alley was the
first
commercially
successful
comic
strip
in 1890s
. The article mentions that
Hogan's
Alley and it's characters marked the commencement of
comics
and was American in each and every aspect. This specific argument is
challanged
by the lecturer. He claims that there were
many
popular
comic
strips which
were made
especially
in
Britaina
and
Swizerland
of Europe even
before
Hogan's
Alley in early 1790s.
Additionally
, he says that the
charecters
of
Hogan's
Alley and
also
it's publishers were immigrants from Europe.
Secondly
, the writer suggests that the
first
popular Action
comic
book was from America. In the article it
is said
that the Action
Comic
Series featuring Superman, the world's
first
superhero was
also
created in America in 1938.
However
, the lecturer rebuts this by mentioning that 16 years
before
the Superman series
was released
, there was a well-known action
comic
book called Adventures of
Tinton
released in 1932. He elaborated on this by bringing up the point that artist of the Superman was from Canada
but
not America.
Finally
, the
author
posits American
comics
have inspired
many
japanese
and European art forms.
Moreover
, in the article it
is stated
that American Disney characters are more popular in Europe than ever.
In contrast
, the lecturer's position is that Japanese Manga and Europe's Smurfs and
Asterix
were of indigenous origin
but
not American-inspired. He notes that European
disney
characters
are created
by Europeans.
In conclusion
, although the reading and lecture are both about origin of
comic
strips and
chatacters
, the points made in the reading are
effectively
challanged
by the lecture.