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The reading describes doubts about “Portrait of an elderly woman in a white bonnet” a portrait, which was considered to be one of Rembrandt's paintings and gives three reasons to endorse its idea.

The reading describes doubts about “Portrait of an elderly woman in a white bonnet” a portrait, which was considered to be one of Rembrandt's paintings and gives three reasons to endorse its idea. yXbbg
The reading describes doubts about “Portrait of an elderly woman in a white bonnet” a portrait, which was considered to be one of Rembrandt's paintings and gives three reasons to endorse its idea. On the other hand, the lecture provides counter-arguments by stating that careful re-examination has proved the portrait to be indeed Rembrandt’s piece of art. To begin with, the author states that Rembrandt was known for paying closer attention to the details of his paintings, whereas the details of the woman’s luxury fur collar were not matching with the description of her dress. However, the Lecture refutes this claim by indicating that x-ray analysis has shown that the pigment of the fur is not matching with the original painting. As it was added over the top of the fur collar hundred years later to increase the value of the painting, and to make the portrait more valuable. Therefore, the details seemed different from the original. Secondly, the writer describes that there is a shadow on the woman’s face from her black collar. It was impossible for Rembrandt to do such a blunder, as he was known to paint lights and shadows. The lecture opposes this argument by insisting that the painter was master to know the effect of shadowing and lighting. During the analysis, when fabricated pigment from the fur was removed, a light-colored collar was discovered under the black fur that clearly suggests this light color illuminated the woman’s face. Therefore, this is not an error made by the painter but by the fabricator. Lastly, the writer points that if it was the painter’s original work it was not glued on several pieces of wooden panels because Rembrandt had not used several pieces of wood for any of his creations. The lecture clarifies this and explains that the original painting was on a single panel, but when the fur collar was added then the wooden frame was enlarged too with multiple panels. Another evidence is the source of the woody panel. Rembrandt had used the same wood source for creating another portrait, and this could not be a coincidence. So, extra panels were used later for enlargement purposes only.
The reading
This phrase/word (depending on the context) can be potentially replaced with :
describes
doubts about
You use this word too often, consider replacing it with
“Portrait
of an elderly
You use this word too often, consider replacing it with
woman
in a white bonnet” a
You use this word too often, consider replacing it with
portrait
, which
was considered
to be one of Rembrandt's
You use this word too often, consider replacing it with
paintings
and gives three reasons to endorse its
This phrase/word (depending on the context) can be potentially replaced with :
idea
.
On the other hand
, the
You use this word too often, consider replacing it with
lecture
provides counter-arguments by stating that careful re-examination has proved the
You use this word too often, consider replacing it with
portrait
to be
indeed
Rembrandt’s piece of art.

To
This phrase/word (depending on the context) can be potentially replaced with :
begin
with, the author states that Rembrandt
was known
for paying closer attention to the
This phrase/word (depending on the context) can be potentially replaced with :
details
of his
You use this word too often, consider replacing it with
paintings
, whereas the
This phrase/word (depending on the context) can be potentially replaced with :
details
of the
You use this word too often, consider replacing it with
woman’s
luxury
You use this word too often, consider replacing it with
fur
You use this word too often, consider replacing it with
collar
were not matching with the description of her dress.
However
, the
You use this word too often, consider replacing it with
Lecture
refutes this claim by indicating that x-ray analysis has shown that the pigment of the
You use this word too often, consider replacing it with
fur
is not matching with the original
You use this word too often, consider replacing it with
painting
. As it was
This phrase/word (depending on the context) can be potentially replaced with :
added
over the top of the
You use this word too often, consider replacing it with
fur
You use this word too often, consider replacing it with
collar
Use "a hundred" or use a number before 'hundred'.
hundred
years later to increase the value of the
You use this word too often, consider replacing it with
painting
, and to
This phrase/word (depending on the context) can be potentially replaced with :
make
the
You use this word too often, consider replacing it with
portrait
more valuable.
Therefore
, the
This phrase/word (depending on the context) can be potentially replaced with :
details
seemed
This phrase/word is too simple and can be replaced with:
different
from the original.

Secondly
, the writer
This phrase/word (depending on the context) can be potentially replaced with :
describes
that there is a shadow on the
You use this word too often, consider replacing it with
woman’s
face from her black
You use this word too often, consider replacing it with
collar
. It was impossible for Rembrandt to do such a blunder, as he
was known
to paint lights and shadows. The
You use this word too often, consider replacing it with
lecture
opposes this argument by insisting that the painter was master to know the effect of shadowing and lighting. During the analysis, when fabricated pigment from the
You use this word too often, consider replacing it with
fur
was removed
, a light-colored
You use this word too often, consider replacing it with
collar
was discovered
under the black
You use this word too often, consider replacing it with
fur
that
clearly
suggests this light color illuminated the
You use this word too often, consider replacing it with
woman’s
face.
Therefore
, this is not an error made by the painter
This phrase/word is too simple and can be replaced with:
but
by the fabricator.

Lastly
, the writer points that if it was the painter’s original work it was not glued on several pieces of wooden
You use this word too often, consider replacing it with
panels
This phrase/word is too simple and can be replaced with:
because
Rembrandt had not
This phrase/word (depending on the context) can be potentially replaced with :
used
several pieces of wood for any of his creations. The
You use this word too often, consider replacing it with
lecture
clarifies this and
This phrase/word (depending on the context) can be potentially replaced with :
explains
that the original
You use this word too often, consider replacing it with
painting
was on a single
You use this word too often, consider replacing it with
panel
,
This phrase/word is too simple and can be replaced with:
but
when the
You use this word too often, consider replacing it with
fur
You use this word too often, consider replacing it with
collar
was
This phrase/word (depending on the context) can be potentially replaced with :
added
then the wooden frame
was enlarged
too with multiple
You use this word too often, consider replacing it with
panels
. Another evidence is the source of the woody
You use this word too often, consider replacing it with
panel
. Rembrandt had
This phrase/word (depending on the context) can be potentially replaced with :
used
the same wood source for creating another
You use this word too often, consider replacing it with
portrait
, and this could not be a coincidence.
This phrase/word is too simple and can be replaced with:
So
, extra
You use this word too often, consider replacing it with
panels
were
This phrase/word (depending on the context) can be potentially replaced with :
used
later for enlargement purposes
This phrase/word (depending on the context) can be potentially replaced with :
only
.
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IELTS essay The reading describes doubts about “Portrait of an elderly woman in a white bonnet” a portrait, which was considered to be one of Rembrandt's paintings and gives three reasons to endorse its idea.

Essay
  American English
4 paragraphs
362 words
6.0
Overall Band Score
Coherence and Cohesion: 5.5
  • Structure your answers in logical paragraphs
  • ?
    One main idea per paragraph
  • Include an introduction and conclusion
  • Support main points with an explanation and then an example
  • Use cohesive linking words accurately and appropriately
  • Vary your linking phrases using synonyms
Lexical Resource: 5.5
  • Try to vary your vocabulary using accurate synonyms
  • Use less common question specific words that accurately convey meaning
  • Check your work for spelling and word formation mistakes
Grammatical Range: 6.5
  • Use a variety of complex and simple sentences
  • Check your writing for errors
Task Achievement: 6.0
  • Answer all parts of the question
  • ?
    Present relevant ideas
  • Fully explain these ideas
  • Support ideas with relevant, specific examples
Labels Descriptions
  • ?
    Currently is not available
  • Meet the criteria
  • Doesn't meet the criteria
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