The graph represents total number of people travelling to Brighton, England visiting four common tourist place over a thirty year time period.
Overall, pier and pavilion saw a slight increase whereas, art gallery and festival remains in a decline in percent of tourists.
From 1980 to 1995, pavilion tourism rocketed, making number of tourist to more than double. On the other hand, pier saw a gradual increase, from ten percent to twelve percent. In contrast to this, from 1995 to 2010, pier tourists made its figures climb by almost hundred percent (11 to almost 22) where as pavilion numbers plunged to thirty percent.
On the other hand, art gallery travellers figures fluctated immensely but booked same spot from 1985 to 2010. Similarly, festivals tourists saw a slight decline, dropping by almost five percent. Although upto 2010, festival tourism industry plateaued to remain at almost twenty six percent whereas, art gallery plummeted to below ten percent by the end 2010.
The graph represents total number of
people
travelling to Brighton, England visiting four common
tourist
place over a thirty year time period.
Overall
, pier and pavilion
saw
a slight increase whereas, art gallery and festival remains in a decline in
percent
of tourists.
From 1980 to 1995, pavilion tourism rocketed, making number of
tourist
to more than double.
On the other hand
, pier
saw
a gradual increase, from ten
percent
to twelve
percent
.
In contrast
to this, from 1995 to 2010, pier
tourists
made its figures climb by
almost
hundred
percent
(11 to
almost
22) where as pavilion numbers plunged to thirty percent.
On the other hand
, art gallery travellers figures fluctated
immensely
but
booked same spot from 1985 to 2010.
Similarly
, festivals
tourists
saw
a slight decline, dropping by
almost
five
percent
. Although upto 2010, festival tourism industry plateaued to remain at
almost
twenty six
percent
whereas, art gallery plummeted to below ten
percent
by the
end
2010.